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Opening
Reception: Thursday,
Jan 14, 4-6pm - featuring gallery walk-through with
curator Pete Brook
Exhibition
continues through March 2, 2016
Prison
Libraries/Prison Art, presentations
and discussion, participants include Laura
Sherbo and Pat
Graney
Wednesday,
Jan 27, 11:30-1:00 in COM Building Recital Hall
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What do we know of our prisons? Do
photographs help us know? Are the images of prisons we see
reliable? Are they even useful? How do images relate to the
political, social, and economic realities that exist within our
prison industrial complex? Do prisons, as closed sites, present any
challenges to the claims photography makes as a medium of
communication?
The exhibition Prison Obscura, curated
by Pete Brook, sheds light on the prison-industrial complex
through rarely seen vernacular, surveillance, evidentiary, and
prisoner-made photographs, The exhibition calls upon its
audience to consider these questions deeply as they come face to
face with the realities of prison life. The bodies of work in Prison Obscura
collectively demonstrate the pervasiveness of prisons and the
stresses of their ever-growing populations, simultaneously
asserting the humanity of incarcerated people and refusing to
reduce them to symbols of a broken system.
Through data-driven visualizations, artists Josh Begley and
Paul Rucker examine prisons across the United States,
highlighting their mass construction and architectural similarity.
Workshops led by Kristen S. Wilkins and Evergreen State
College faculty Steve Davis allow juvenile and adult
prisoners the opportunity to self-represent through performative
portraiture and image-making. Collected letters and visiting room
portraits by Alyse Emdur, oral histories collected and
portraits shot by Robert Gumpert, and “photographs of places
missed” requested by incarcerated people and fulfilled by Mark
Strandquist go beyond the identity of “prisoner” to give
intimate insight into the experiences and desires of incarcerated
people. Prison
Obscura also features a stunning collection of evidence
images from Brown v. Plata, a class-action lawsuit
against the state of California related to prison overcrowding and
access to medical care.
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Prison
Obscura is the centerpiece of The Evergreen State College
Library's
Kept
Out/Kept In extends ongoing college-wide inquiries concerning
social justice, social inequalities, and race and racism. Taking
place throughout the 2016 winter quarter, this cluster of exhibits
and events concentrates on the interface of social and economic
inequality within the prison-industrial complex. Kept Out/Kept
In references the social and economic structures that restrict
access to economic advancement and social well-being, and the
physical walls and bars that enforce incarceration. It invites
critical investigation of the relationships among the invisible and
visible structures that delimit, channel, regulate, segregate, and
punish members of our society with discriminatory race- and
class-based accelerations. Kept Out/Kept In offers direct
support to coordinated studies programs,
creating opportunities for teaching and learning across
programs and across campuses.
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Image credits --
top row: Paul Rucker, Proliferation,
11 min. digital video - Kristen S. Wilkins, diptych
from the series Supplication
bottom
row: Alyse Emdur, from the series Prison Landscapes
- Josh Begley, screengrab from Prison Map -
Image from pinhole camera workshop taught
by Steve Davis at Remann Hall, WA
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Prison
Obscura is a traveling exhibition curated by Pete Brook and made
possible with the support of the John
B. Hurford ’60 Center for the Arts and Humanities and Cantor
Fitzgerald Gallery at Haverford College, Haverford, PA.
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